I Call My Brothers
By Jonas Hassen Khemiri
DC Premiere
*Helen Hayes Nomination for Best Sound Design*
Forum Theater
Silver Spring, MD
Silver Spring, MD
Creative Team:
Directed by: Michael Dove Scenic Design: Michael Dove Costume Design: Debra Sivgny
Lighting Design: Max Doolittle Sound Design/Composer: Justin Schmitz Stage Manager: Meg Edyvean
Projections: Hannah Marsh
Directed by: Michael Dove Scenic Design: Michael Dove Costume Design: Debra Sivgny
Lighting Design: Max Doolittle Sound Design/Composer: Justin Schmitz Stage Manager: Meg Edyvean
Projections: Hannah Marsh
Opening SequenceThe opening of the show starts in the world around us, music is heard from composers: Max Richter and Olafur Arnalds. Both's music feels homely, yet does not specifically place us in a decided location. Transitioning through the preshow announcement we move forward into the top of the show with Amor's monologue and begin the play.
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Ahlem. Cousin, and Fierce WarriorAmor's cousin Ahlem is discovered as a peaceful woman who has her life together, but was she always that way? What was the connection shared between Ahlem and Amor?
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Valeria... Once Best Friend... Love Interest... Lover....or Not?At Amor's core memory stems the remembrance of his life-long friend Valeria. She grew up with Amor, they rode around on scooters, built lasting memories, but someone felt love while the other developed intense friendship... Both have felt its side effects on their relationship. Each snippet above morphed as the scene played on. First, sounding clear and crisp, as Amor's mind was at the time, but as the scene wends on, things were not as clear as we were led to believe, but instead we discover the true mental coverings Amor had done to fulfill his fantasy of Valeria.
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Grandma... Affection from HeavenAt the purest moment of terror and horror for Amor, he pulls out his phone, calling and only hearing the voice of an unknown elderly woman. Soon to be revealed as Amor's grandmother from heaven, we often sit back and ponder what it means to call our loved ones who are no longer with us. This moment in the play was pure silence with added microphones during the call. Take a moment of silence to remember those you've lost, There is no sound like the sound of absence.
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